Ray Barretto

 Ray Barretto  (April 29, 1929 – February 17, 2006) was an American Grammy Award-winning Latin/Latin jazz musician of Puerto RicanANCESTRY.

Early years
Barretto (whose surname is really "Barreto"; a mistake at the time Ray's birth certificate was filed gave his last name its formal spelling) was born in New York City. His parents moved to New York fromPuerto Rico in the early 1920s, looking for a better life. He was raised in Spanish Harlem and at a very young age was influenced by his mother's love of music and by the jazz music of musicians such asDuke Ellington and Count Basie.[ 1 ][ 2 ][ 3 ]

In 1946, when Barretto was 17 years old, he joined the Army. While stationed in Germany, Barretto metBelgian vibist Fats Sadi, who was working there. However, it was when he heard Dizzy Gillespie's "Manteca" with Cuban composer/percussionist Chano Pozo that he realized his true calling in life.[ 1 ][ 2 ][ 3 ]

Barretto plays for Charlie Parker
In 1949, when Barretto returned home from military service, he started to visit clubs and participated in jam sessions, where he perfected his congaplaying. On one occasion Charlie Parker heard Barretto play and invited him to play in his band. Later, he was asked to play for José Curbelo and Tito Puente, for whom he played for four years. Barretto developed a unique style of playing the conga and soon he was sought by other jazz band leaders. Latin percussionists started to appear in jazz groups with frequency as a consequence of Barretto's musical influence.[ 1 ][ 2 ][ 3 ]

Success with "El Watusi"
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">In 1960, Barretto was a house musician for the Prestige, Blue Note, and Riverside labels. He also recorded on Columbia Records with Jazz flautist Herbie Mann. New York had become the center of Latin music in the United States and a musical genre called "pachanga" was the Latin music craze of the time.

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">In 1961, Barretto recorded his first hit, "El Watusi." He was quite successful with the song and the genre, to the point of being typecast (something that he disliked).<span class="reference" id="cite_ref-RB1_1-3" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 1 ]<span class="reference" id="cite_ref-RB2_2-3" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 2 ]<span class="reference" id="cite_ref-RB3_3-3" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 3 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">After recording a number of albums for the United Artists label, Barretto joined the Fania record label in 1967, and his first recording for the new label was the 1968 album Acid, an experiment joining rhythm and blues with Latin music. The album contained the song "A Deeper Shade Of Soul", which was sampled for the 1991 Billboard Hot 100 #21 hit "Deeper Shade of Soul" by Dutch band Urban Dance Squad.<span class="reference" id="cite_ref-RB1_1-4" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 1 ]<span class="reference" id="cite_ref-RB2_2-4" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 2 ]<span class="reference" id="cite_ref-RB3_3-4" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 3 ] During this period, Adalberto Santiago was the band's lead vocalist. In 1972 Barretto's Que viva la musica was released. "Cocinando," a track from the album, opened the soundtrack of the Fania All Stars film Our Latin Thing in which Barretto had a role.

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">In 1973, Barretto recorded the album Indestructible, in which he played "La Familia", a song written by José Curbelo in 1953 and recorded by the sonero Carlos Argentino with the Cuban band Sonora Matancera; Tito Allen joined as new vocalist. After a number of successful albums, and just as his Afro-Cuban band had attained a remarkable following, most of its members left it to form Típica 73, a multinational "salsa" conglomerate. This left Barretto depressed and disappointed with salsa; he then redirected his efforts to jazz, while remaining as musical director of the Fania All Stars. In 1975 he released Barretto, also referred to as the Guarare album, with new vocalists Ruben Blades and Tito Gomez.<span class="reference" id="cite_ref-RB1_1-5" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 1 ]<span class="reference" id="cite_ref-RB2_2-5" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 2 ]<span class="reference" id="cite_ref-RB3_3-5" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 3 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Barretto played the conga in recording sessions for the Rolling Stones and the Bee Gees. In 1975, he was nominated for a Grammy Award for the song "Barretto". From 1976 to 1978, Barretto recorded three records for Atlantic Records, and was nominated for a Grammy for Barretto Live...Tomorrow. In 1979, he recorded La Cuna for CTI records and produced a salsa record for Fania, titled Ricanstruction, which was named 1980 "Best Album" by Latin N.Y. Magazine, with Barretto crowned as Conga Player of the Year.<span class="reference" id="cite_ref-RB1_1-6" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 1 ]<span class="reference" id="cite_ref-RB2_2-6" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 2 ]<span class="reference" id="cite_ref-RB3_3-6" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 3 ]

<span class="mw-headline" id="Later_years" style="box-sizing:border-box;">Later years
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">In 1990, Barretto won his first Grammy for the album Ritmo en el Corazón ("Rhythm in the Heart"), which featured the vocals of Celia Cruz. Also in the 1990s, a LatinAGENT, Chino Rodríguez, approached Barretto with a concept he also pitched to Larry Harlow. The idea was "The Latin Legends of Fania", and Barretto, Harlow, Yomo Toro, Pete "el Conde" Rodrguez, Junior González, Ismael Miranda, and Adalberto Santiago came together and formed "The Latin Legends of Fania", booked by Chino Rodríguez of Latin Music Booking.com. In 1999, Barretto was inducted into the International Latin Music Hall of Fame.<span class="reference" id="cite_ref-RB1_1-7" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 1 ]<span class="reference" id="cite_ref-RB2_2-7" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 2 ]<span class="reference" id="cite_ref-RB3_3-7" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 3 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Barretto lived in New York and was an active musical producer, as well as the leader of a touring band which embarked on tours of the United States,Europe, Israel and Latin America.<span class="reference" id="cite_ref-RB1_1-8" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 1 ]<span class="reference" id="cite_ref-RB2_2-8" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 2 ]<span class="reference" id="cite_ref-RB3_3-8" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 3 ]

Death
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Barretto died of heart failure and complications of multiple health issues on February 17, 2006 at the Hackensack University Medical Center in New Jersey. His body was flown to Puerto Rico, where Barretto was given formal honors by the Institute of Puerto Rican Culture; his remains were eventually cremated.<span class="reference" id="cite_ref-RB1_1-9" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 1 ]<span class="reference" id="cite_ref-RB2_2-9" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 2 ]<span class="reference" id="cite_ref-RB3_3-9" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 3 ]

<span class="mw-headline" id="As_leader" style="box-sizing:border-box;">As leader

 * Barretto para bailar (Riverside, 1960)
 * Latino! (Riverside, 1962)
 * Charanga Moderna (Tico, 1962)
 * Moderna de Siempre (Tico, 1963)
 * On Fire Again (Encendido otra vez) (Tico, 1963)
 * The Big Hits Latin Style (Tico, 1963)
 * Guajira y guaguancó (Tico, 1964)
 * Viva Watusi! (United Artists, 1965)
 * Señor 007 (United Artists, 1966)
 * El Ray Criollo (United Artists, 1966)
 * Latino con Soul (United Artists, 1966)
 * Fiesta En El Barrio (United Artists, 1967)
 * Acid (Fania, 1968)
 * Hard Hands (Fania, 1968)
 * Together (Fania, 1969)
 * Head Sounds (Fania, 1969)
 * Barretto Power (Fania, 1970)
 * The Message (Fania, 1971)
 * From the Beginning (Fania, 1971)
 * Que viva la música (Fania, 1972)
 * Indestructible (Fania, 1973)
 * The Other Road (Fania, 1973)
 * Barretto (Fania, 1975)
 * Tomorrow: Barretto Live (Atlantic, 1976)
 * Energy to Burn (Fania, 1977)
 * Eye of the Beholder (Atlantic, 1977)
 * Can You Feel It? (Atlantic, 1978)
 * Gracias (Fania, 1978)
 * La Cuna (CTI, 1979)
 * Rican/Struction (Fania, 1979)
 * Giant Force (Fania, 1980)
 * Rhythm of Life (Fania, 1982)
 * Todo se va poder (Fania, 1984)
 * Aquí se puede (Fania, 1987)
 * Irresistible (Fania, 1989)
 * Handprints (Concord Picante, 1991)
 * Soy Dichoso (Fania, 1992)
 * Live in New York (Messidor, 1992)
 * SalsaCALIENTE de Nu York (Universe, 2001)
 * Fuerza Gigante: Live in Puerto Rico April 27, 2001 (Universe, 2004)
 * Standards Rican-ditioned (Zoho Music, 2006)

<span class="mw-headline" id="With_New_World_Spirit" style="box-sizing:border-box;">With New World Spirit

 * Ancestral Messages (Concord Picante, 1992)
 * Taboo (Concord Picante, 1994)
 * My Summertime (Owl, 1995)
 * Contact! (Blue Note, 1997)
 * Portraits in Jazz and Clave (RCA, 2000)
 * Trancedance (Circular Moves, 2001)
 * Homage to Art Blakey and The Jazz Messengers (Sunnyside, 2003)
 * Time Was - Time Is (O+ Music, 2005)

<span class="mw-headline" id="As_sideman" style="box-sizing:border-box;">As sideman
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Gene Ammons

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With the Bee Gees
 * Blue Gene (Prestige, 1958)
 * Boss Tenor (Prestige, 1960)
 * Up Tight! (Prestige, 1961)
 * Boss Soul! (Prestige, 1961)
 * Twisting the Jug (Prestige, 1961) - with Joe Newman and Jack McDuff
 * Soul Summit Vol. 2 (Prestige, 1961 [1962])
 * Late Hour Special (Prestige, 1961 [1964])
 * Velvet Soul (Prestige, 1961 [1964])
 * Goodbye (Prestige, 1974)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Kenny Burrell
 * Main Course (RSO, 1975)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Arnett Cobb
 * Bluesy Burrell (Moodsville, 1962) - with Coleman Hawkins
 * Crash! (Prestige, 1963) - with Brother Jack McDuff
 * Soul Call (Prestige, 1964)
 * God Bless the Child (CTI, 1971)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Celia Cruz
 * Party Time (Prestige, 1959)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Eddie "Lockjaw" Davis
 * Tremendo Trío! (Fania, 1983)
 * Ritmo en el Corazón (Fania, 1989)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Deodato
 * Bacalao (Prestige, 1959) - with Shirley Scott
 * Misty (Moodsville, 1960 [1963]) - with Shirley Scott
 * Afro-Jaws (Riverside, 1960)
 * Lock, the Fox (RCA Victor, 1966)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Art Farmer
 * Prelude (CTI, 1972)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Jimmy Forrest
 * Listen to Art Farmer and the Orchestra (Mercury, 1962)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With the Red Garland Trio
 * Most Much! (Prestige, 1961)
 * Soul Street (New Jazz, 1962)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Dizzy Gillespie
 * Manteca (Prestige, 1958)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Eddie Harris
 * Carnegie Hall Concert (Verve, 1961)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Willis Jackson
 * Mean Greens (Atlantic, 1966)
 * The Electrifying Eddie Harris (Atlantic, 1967)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Clifford Jordan
 * Thunderbird (Prestige, 1962)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Yusef Lateef
 * Soul Fountain (Vortex, 1966 [1970])

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Johnny Lytle
 * Yusef Lateef's Detroit (Atlantic, 1969)
 * In a Temple Garden (CTI, 1979)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Herbie Mann
 * Moon Child (Jazzland, 1962)
 * The Soulful Rebel (Milestone, 1971)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Jack McDuff
 * Flute, Brass, Vibes and Percussion (Verve, 1959)
 * The Common Ground (Atlantic, 1960)
 * The Family of Mann (Atlantic, 1961)
 * Glory of Love (A&M/CTI, 1967)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Dave Pike
 * Somethin' Slick! (Prestige, 1963)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Michel Sardaby
 * Limbo Carnival (New Jazz, 1962)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Johnny "Hammond" Smith
 * Michel Sardaby in New York (Sound Hills, 2002)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Sonny Stitt
 * Talk That Talk (New Jazz, 1960)
 * Open House! (Riverside, 1963)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Weather Report
 * Stitt Meets Brother Jack (Prestige, 1962) - with Jack McDuff
 * The Matadors Meet the Bull ROULETTE, 1965)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Frank Wess
 * Mysterious Traveller (Columbia, 1974)

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> With Charles Williams
 * Southern Comfort (Prestige, 1962)


 * Stickball (Mainstream, 1972)