Hotel California

" Hotel California" is the title song from the  Eagles'  album of the same name and was released as a single in February 1977. It is one of the best-known songs of the album-oriented rock era. Writing credits for the song are shared by  Don Felder,  Don Henley, and  Glenn Frey. The Eagles' original recording of the song features Henley singing the lead vocals and concludes with an extended section of  electric guitar interplay between Felder and  Joe Walsh. The song has been given several interpretations by fans and critics alike, but the  Eagles have described it as their "interpretation of the high life in Los Angeles". [1]  In the 2012 History of the Eagles, Don Henley said the song was about "a journey from innocence to experience...that's all".

==History and recognition == "Hotel California" topped the Billboard Hot 100 singles chart for one week in May 1977 and peaked at number ten on the Adult Contemporary charts. Three months after its release, the single was certified Gold by the Recording Industry Association of America (RIAA), representing one million copies shipped. The Eagles also won the 1977 Grammy Award for Record of the Year for "Hotel California" at the 20th Grammy Awards in 1978.<sup class="reference" id="cite_ref-3" style="line-height:1em;unicode-bidi:-webkit-isolate;">[3]

<p style="margin-top:0.4em;margin-bottom:0.5em;line-height:19.190340042114258px;color:rgb(0,0,0);font-family:sans-serif;font-size:12.727272033691406px;">In 2009, the song "Hotel California" was certified Platinum (Digital Sales Award) by the RIAA for sales of one million digital downloads.<sup class="reference" id="cite_ref-4" style="line-height:1em;unicode-bidi:-webkit-isolate;">[4]

<p style="margin-top:0.4em;margin-bottom:0.5em;line-height:19.190340042114258px;color:rgb(0,0,0);font-family:sans-serif;font-size:12.727272033691406px;">The song is rated highly in many rock music lists and polls, Rolling Stone magazine ranked it number 49 on its list of "The 500 Greatest Songs of All Time".<sup class="reference" id="cite_ref-5" style="line-height:1em;unicode-bidi:-webkit-isolate;">[5]  It is also one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. The song's guitar solo is ranked 8th on Guitar Magazine ' s Top 100 Guitar Solos and was voted the best solo of all time by readers of Guitarist magazine.<sup class="reference" id="cite_ref-6" style="line-height:1em;unicode-bidi:-webkit-isolate;">[6]

<p style="margin-top:0.4em;margin-bottom:0.5em;line-height:19.190340042114258px;color:rgb(0,0,0);font-family:sans-serif;font-size:12.727272033691406px;">As one of the group's most popular and well-known songs, "Hotel California" has been a concert staple for the band since its release. Performances of the song appear on the Eagles' 1980 live album, simply called Live, and in an acoustic version on the 1994 Hell Freezes Over reunion concert CD and video release. The "Hell Freezes Over" version is performed using eight guitars and has a decidedly Spanish feel to it with Don Felder's flamenco-inspired arrangement and intro. During the band's Farewell 1 Tour-Live from Melbourne, the song was performed in a manner closer to the original album version, but with a trumpet interlude in the beginning.<sup class="Template-Fact" style="line-height:1em;white-space:nowrap;">[citation needed]

<p style="margin-top:0.4em;margin-bottom:0.5em;line-height:19.190340042114258px;color:rgb(0,0,0);font-family:sans-serif;font-size:12.727272033691406px;">Glenn Frey described the origins of the song: ==Interpretation<span class="mw-editsection mw-editsection-expanded" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;direction:ltr;"><span class="mw-editsection-bracket" style="margin-left:-0.25em;margin-right:0.25em;color:rgb(85,85,85);"> == <p style="line-height:19.190340042114258px;color:rgb(0,0,0);font-family:sans-serif;font-size:12.727272033691406px;">The lyrics weave a surrealistic tale in which a weary traveler checks into a luxury hotel. The hotel at first appears inviting and tempting but it turns out to be a nightmarish place where "you can check out anytime you like, but you can never leave." The song is an allegory about hedonism, self-destruction, and greed in the music industry of the late 1970s.<sup class="reference" id="cite_ref-8" style="line-height:1em;unicode-bidi:-webkit-isolate;">[8]  Don Henley called it "our interpretation of the high life in Los Angeles"<sup class="reference" id="cite_ref-9" style="line-height:1em;unicode-bidi:-webkit-isolate;">[9]  and later reiterated: "It's basically a song about the dark underbelly of the American dream and about excess in America, which is something we knew a lot about."<sup class="reference" id="cite_ref-10" style="line-height:1em;unicode-bidi:-webkit-isolate;">[10]  In 2008, Don Felder described the origins of the lyrics: <p style="line-height:19.190340042114258px;color:rgb(0,0,0);font-family:sans-serif;font-size:12.727272033691406px;">The term "colitas" in the first stanza means "little tails" in Spanish; in Mexican slang it refers to buds of the cannabis plant.<sup class="reference" id="cite_ref-12" style="line-height:1em;unicode-bidi:-webkit-isolate;">[12]

<p style="margin-top:0.4em;margin-bottom:0.5em;line-height:19.190340042114258px;color:rgb(0,0,0);font-family:sans-serif;font-size:12.727272033691406px;">In a 2009 interview, Plain Dealer music critic John Soeder asked Don Henley this about the lyrics: <p style="line-height:19.190340042114258px;color:rgb(0,0,0);font-family:sans-serif;font-size:12.727272033691406px;">Henley responded: <p style="line-height:19.190340042114258px;color:rgb(0,0,0);font-family:sans-serif;font-size:12.727272033691406px;">According to Glenn Frey's liner notes for The Very Best Of, the use of the word "steely" in the lyric (referring to knives) was a playful nod to band Steely Dan, who had included the lyric "Turn up the Eagles, the neighbors are listening" in their song "Everything You Did".<sup class="reference" id="cite_ref-linernotes_14-0" style="line-height:1em;unicode-bidi:-webkit-isolate;">[14] ===Conjectures<span class="mw-editsection mw-editsection-expanded" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;direction:ltr;"><span class="mw-editsection-bracket" style="margin-left:-0.25em;margin-right:0.25em;color:rgb(85,85,85);"> === <p style="line-height:19.190340042114258px;color:rgb(0,0,0);font-family:sans-serif;font-size:12.727272033691406px;">The metaphorical character of the story related in the lyrics has inspired a number of conjectural interpretations by listeners. In the 1980s some Christian evangelists alleged that "Hotel California" referred to a San Francisco hotel that was purchased by Anton LaVey and converted into a Church of Satan.<sup class="reference" id="cite_ref-15" style="line-height:1em;unicode-bidi:-webkit-isolate;">[15] <sup class="reference" id="cite_ref-16" style="line-height:1em;unicode-bidi:-webkit-isolate;">[16]  Other rumors suggested that the Hotel California was the Camarillo State Mental Hospital.<sup class="reference" id="cite_ref-17" style="line-height:1em;unicode-bidi:-webkit-isolate;">[17] ==Cover art for single<span class="mw-editsection mw-editsection-expanded" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;direction:ltr;"><span class="mw-editsection-bracket" style="margin-left:-0.25em;margin-right:0.25em;color:rgb(85,85,85);"> == <p style="line-height:19.190340042114258px;color:rgb(0,0,0);font-family:sans-serif;font-size:12.727272033691406px;">The front cover art for the 45rpm release of the song was a reworked version of the Hotel California LP cover art, which used a photograph of the Beverly Hills Hotel by David Alexander with design and art direction by Kosh.<sup class="reference" id="cite_ref-18" style="line-height:1em;unicode-bidi:-webkit-isolate;">[18] ==Harmonic structure<span class="mw-editsection mw-editsection-expanded" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;direction:ltr;"><span class="mw-editsection-bracket" style="margin-left:-0.25em;margin-right:0.25em;color:rgb(85,85,85);"> == <p style="line-height:19.190340042114258px;color:rgb(0,0,0);font-family:sans-serif;font-size:12.727272033691406px;">The intro and verse's chord pattern counts eight measures, each one assigned to a single chord. Seven different chords are used in the eight measures. As the song opens, it is not until the eighth measure that a chord is repeated. The song is initially in the key of B-minor.<sup class="reference" id="cite_ref-Tillekens_19-0" style="line-height:1em;unicode-bidi:-webkit-isolate;">[19]

<p style="margin-top:0.4em;margin-bottom:0.5em;line-height:19.190340042114258px;color:rgb(0,0,0);font-family:sans-serif;font-size:12.727272033691406px;">The chords are played as follows:


 * Bm-F#-A-E-G-D-Em-F#
 * or
 * i-V-VII-IV-VI-III-iv-V

<p style="line-height:19.190340042114258px;color:rgb(0,0,0);font-family:sans-serif;font-size:12.727272033691406px;">The eight measure sequence is repeated in the intro, for each verse and in the outro, providing the harmonic framework for the entire extended dual guitar solo at the end of the song.<sup class="reference" id="cite_ref-Tillekens_19-1" style="line-height:1em;unicode-bidi:-webkit-isolate;">[19]  Although this chord sequence is not a commonly-used progression, it does resemble Jethro Tull's "We Used to Know" from their 1969 album Stand Up.<sup class="reference" id="cite_ref-Tillekens_19-2" style="line-height:1em;unicode-bidi:-webkit-isolate;">[19]  One explanation of the progression is that it is a common flamenco chord progression called the "Spanish progression" (i-VII-VI-V in a phrygian context) that is interspersed with consecutive fifths.<sup class="reference" id="cite_ref-Tillekens_19-3" style="line-height:1em;unicode-bidi:-webkit-isolate;">[19]

<p style="margin-top:0.4em;margin-bottom:0.5em;line-height:19.190340042114258px;color:rgb(0,0,0);font-family:sans-serif;font-size:12.727272033691406px;">The chorus, or refrain, uses five of the song's seven chord set, structured with the melody in a way that shifts the key from B-minor to its relative major of D:<sup class="reference" id="cite_ref-Tillekens_19-4" style="line-height:1em;unicode-bidi:-webkit-isolate;">[19]


 * G-D-F#-Bm-G-D-Em-F#
 * or assuming a key of D:
 * IV-I-III-vi-IV-I-ii-III

==Certifications<span class="mw-editsection mw-editsection-expanded" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;direction:ltr;"><span class="mw-editsection-bracket" style="margin-left:-0.25em;margin-right:0.25em;color:rgb(85,85,85);"> == ==Personnel<span class="mw-editsection mw-editsection-expanded" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;direction:ltr;"><span class="mw-editsection-bracket" style="margin-left:-0.25em;margin-right:0.25em;color:rgb(85,85,85);"> == ==Cover versions and parodies<span class="mw-editsection mw-editsection-expanded" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;direction:ltr;"><span class="mw-editsection-bracket" style="margin-left:-0.25em;margin-right:0.25em;color:rgb(85,85,85);"> == ===Covers<span class="mw-editsection mw-editsection-expanded" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;direction:ltr;"><span class="mw-editsection-bracket" style="margin-left:-0.25em;margin-right:0.25em;color:rgb(85,85,85);"> === <p style="line-height:19.190340042114258px;color:rgb(0,0,0);font-family:sans-serif;font-size:12.727272033691406px;">Many cover versions of "Hotel California" have been released:
 * Don Henley: Lead vocals, drums
 * Glenn Frey: 12-string acoustic guitar, electric guitar, backing vocals
 * Don Felder: Lead guitar, 12-string electric guitar, backing vocals
 * Joe Walsh: Lead guitar, backing vocals
 * Randy Meisner: Bass guitar, backing vocals

===Parodies<span class="mw-editsection mw-editsection-expanded" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;direction:ltr;"><span class="mw-editsection-bracket" style="margin-left:-0.25em;margin-right:0.25em;color:rgb(85,85,85);"> === <p style="line-height:19.190340042114258px;color:rgb(0,0,0);font-family:sans-serif;font-size:12.727272033691406px;">Parodies include:
 * Alabama 3: On their album la peste (2000).
 * Goldie Ens Goldie Ens: Album Plastic world (1986).
 * The Cat Empire: A French jazz, (L'Hotel de Californie) with French lyrics, recorded for Triple J's Like a Version segment and subsequent CD compilation. A live rendition of L'Hotel de Californie from a show in Montréal appeared on their 2009 live album Live on Earth
 * Sylvain Cossette French Canadian singer: released in 2008 on his cover album 70's Volume 2
 * Igor Džambazov - "Hotel Macedonia" - Version with lyrics in Macedonian, promoting the country of Macedonia
 * Gipsy Kings: A flamenco version with Spanish lyrics, released in 1988 and later featured in the film The Big Lebowski.
 * Sam Hui recorded a version in 1977.
 * William Hung: A 2004 version recorded by the American Idol contestant.
 * Majek Fashek released a reggae version, often incorrectly credited to Bob Marley.
 * The Moog Cookbook released a version on their album Ye Olde Space Bande (1997).
 * Moonraisers released a 1998 reggae version, with several remixes recorded.
 * Rascal Flatts performed a country version at the 2007 Grammy Awards.
 * Rhythms del Mundo released a 2009 version off their album Classics, featuring The Killers.
 * Marilyn Manson performed a live version at a wrap party for the TV series Californication
 * Max Romeo released a reggae version on his album Something is Wrong (1999).
 * Roo'ra released a version on their second album "날개 잃은 천사" ("Angel Without Wings")(1995).
 * Nancy Sinatra covered it on the album Nancy Sinatra - California Girl.
 * SkaDaddyZ released a reggae/ska version in 1999.
 * Al B. Sure! released a version on his album Private Times...and the Whole 9! (1990).
 * Tangerine Dream covered it on their 2010 album Under Cover - Chapter One.
 * Romania-based Vama Veche released a version sung in Romanian on their second album, but with alternative lyrics dealing with the dreadful living conditions in Romanian student dormitories in the late nineties. The song is titled "Hotel Cişmigiu".
 * Frank Ocean released a version on his EP Nostalgia, Ultra entitled American Wedding'.
 * Buranovskie Babushki - in Udmurt
 * The Ukulele Orchestra of Great Britain feature the song in "Fly Me (Off The Handel)", in which it is sung simultaneously with other songs of the same chord pattern.
 * Timeflies released a remix on Youtube using the chorus and a few similar lines from the original song.


 * Christian parody band ApologetiX redid the song as "Hotel Can't Afford Ya", about Jesus' nativity, on their album Jesus Christ Morningstar.
 * Country music parodist Cledus T. Judd parodied the song as "Motel Californie" on his 1995 debut album Cledus T. Judd (No Relation).
 * Christian comedian Tim Hawkins performed a parody of the song, called "WalMart in California",as part of his "Future Hits" compilation, changing the lyrics to what they would have supposedly been if the Eagles were older at the time they wrote Hotel California.